John W. Mills is a distinguished sculptor and one of Britain’s foremost numismatic artists. Born in London in 1933, he studied at Hammersmith School of Art from 1947 to 1954 and at the Royal College of Art from 1956 to 1960. Subsequent teaching posts have included senior lecturer at St Albans School of Art (1962-1970) and principal lecturer at Hertfordshire College of Art and Design (1970-1977). He has also been visiting associate professor at the University of Eastern Michigan, visiting lecturer at the Detroit School of Creative Arts, and visiting professor and artist in residence at the University of Michigan. He stopped teaching on a regular basis in 1977. He was made a fellow of the Royal Society of British Sculptors in 1982, and was elected president of the society in 1986. In 1993 he became a fellow of the Royal Society of Arts. He first exhibited at the Royal Academy in 1956, and has held solo exhibitions on a regular basis since 1959, showing his work in London and other cities in the United Kingdom, as well as in Canada, USA, France, Australia and Germany. Commissioned work includes pieces done for Sea Containers, P&O Cruises, Royal Caribbean Cruise Lines, The Royal Institution, Rank Xerox, and Westminster City Council. Works in public places include the William Blake Memorial, Blake House, London; Blitz, the national memorial to the firefighters who died during the Second World War II, in Old Change Court by St Paul’s, London; London River Man on the Isle of Dogs in London’s Docklands; Brother at the University Hospital, Ann Arbor, Michigan, USA; and St George, for Windsor Court Hotel, New Orleans. Other of his works can be found in public and private collections in Britain and the United States. About his BAMS medal, the artist writes: ‘I first worked from the model, Quentin Crisp, in 1947 at Hammersmith School of Art and. I continued to work with him through successive years, both as a student and tutor, until the summer of 1977, when he was about to leave the art school life that had made him ‘The Naked Civil Servant’, to live in the USA, and I was about to give up teaching and live by my sculpture. For some reason I had become one of the few people Quentin still posed for during those last months of his modelling career. The final session arrived with Quentin coming into the studio wearing a smart new black fedora hat. Apparently someone had come up to him in the street and said “You can wear this better than me”, and gave him the hat – this was the story he told me. I had never made a serious portrait sculpture of Quentin and suggested that at this late period I should. He agreed and so I modelled a portrait of him wearing that hat, subsequently cast in bronze and sold at Sotheby’s, giving me life membership of the Chelsea Arts Club, where I last saw Quentin. When I was approached by BAMS to make a medal, Quentin had recently died in Manchester (which he would have hated) so I thought I would commemorate a special moment in both our lives by making the medal Quentin Crisp’s Fedora’ .